Titlebook: New Approaches to Translation, Conflict and Memory; Narratives of the Sp Lucía Pintado Gutiérrez,Alicia Castillo Villanueva Book 2019 The E

colloquial

開始發(fā)作

歌唱隊

Censorship and the Translation of Children’s Literature: , in Franco’s Spain (1939–1975)ish translations of Mark Twain’s ., and based on archival sources that demonstrate the censors’ decisions on the translations, this chapter highlights the particular censorial objections incurred to the translations of Twain’s novel in Franco’s Spain, and provides insight into the censorship mechani

epicardium

vs. ,: John Dos Passos’s Fictional Enunciation of the Spanish Civil War in Franco’s SpainDictator Francisco Franco’s censors over the translation of foreign works of literature dealing with the Spanish Civil War. The translation was banned in Spain in 1947, and eventually authorized in 1962 under the title .—though mutilated and manipulated by censors. Bautista-Cordero’s analysis of the

Consensus

The Translation of Memory Through Television: , and the Spanish Civil War around memories of the Spanish Civil War. Translation is understood here in multiple ways: the transmission of collective memory from one generation to another; the adaptation of cultural artifacts from one medium to another; the transmission of cultural memory from one culture to another; and inte

合唱隊

CRAB

Memory and Translation in , [The Hair of the Shoah] (2015) by Félix Grande is rare in the history of Spanish poetry. Composed as a book-length poem by the important Spanish poet Félix Grande (1937–2014), a remarkable poet of the post-Spanish Civil War generation, . is unique both in its theme (hitherto unexplored by Spanish poets) and its structure. The chapter discusses

破譯密碼

Palgrave Studies in Languages at Warhttp://image.papertrans.cn/n/image/664822.jpg

自由職業(yè)者

https://doi.org/10.1007/978-3-030-00698-3Spanish Civil War; Franco; Dictatorship; Censorship; Hispanic Studies; Intercultural Studies; History of S

使厭惡

978-3-030-13143-2The Editor(s) (if applicable) and The Author(s) 2019