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Titlebook: Ghost Writing in Contemporary American Fiction; David Coughlan Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 American Lit

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41#
發(fā)表于 2025-3-28 16:25:15 | 只看該作者
42#
發(fā)表于 2025-3-28 19:25:11 | 只看該作者
43#
發(fā)表于 2025-3-29 01:21:09 | 只看該作者
44#
發(fā)表于 2025-3-29 04:36:47 | 只看該作者
Thomas H. Ollendick,Neville J. Kingss, remains inaccessible. Coughlan argues that Auster’s characteristic use of twinned figures who shadow each other allows him to confront the difficulties inherent in ghost writing, or in writing for another person.
45#
發(fā)表于 2025-3-29 07:40:12 | 只看該作者
Anti-soiling Effect of Porous SiO2 Coatings,irits housed in flesh which they must finally transcend. However, considering also her representation of time, Coughlan questions if a spirit writing is possible or if, in writing, the spirit returns as spectral “spirit.”
46#
發(fā)表于 2025-3-29 14:54:53 | 只看該作者
47#
發(fā)表于 2025-3-29 19:36:01 | 只看該作者
48#
發(fā)表于 2025-3-29 22:50:40 | 只看該作者
Greenways for Solid Waste Management reading of Don DeLillo’s novel . in this context. Starting from the question “Who invites who in?” the novel shows that every host, and therefore every self, body, house, or inside, is haunted by returning guests.
49#
發(fā)表于 2025-3-30 02:25:51 | 只看該作者
1. Introduction: Of Spectrality,hlan shows how the ghost haunts any definition or concept of the USA, of the present, or of the self, and exactly because the specter is at work in all things and in all of life. He concludes that we survive only as ghosts.
50#
發(fā)表于 2025-3-30 05:46:54 | 只看該作者
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