Titlebook: Ghost Writing in Contemporary American Fiction; David Coughlan Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 American Lit

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書目名稱Ghost Writing in Contemporary American Fiction影響因子(影響力)




書目名稱Ghost Writing in Contemporary American Fiction影響因子(影響力)學(xué)科排名




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書目名稱Ghost Writing in Contemporary American Fiction網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Ghost Writing in Contemporary American Fiction被引頻次




書目名稱Ghost Writing in Contemporary American Fiction被引頻次學(xué)科排名




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DRAFT

Karen S. Rook,Tonya L. Schuster question of the ghost or shadow and why therefore the question of following unsettles any sense of an undivided present. This present divided between past and future is understood in terms of the . (the step or pace that is also no pace) that Derrida tracks through the work of Maurice Blanchot and

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CAMP

Physical Fractionation of Organic Matter does not relate to the novelist Marilynne Robinson’s. Coughlan suggests that Derrida’s opening line, “I shall speak of ghost, of flame, and of ashes,” is a line that applies also to Robinson’s first novel ., but he argues that Derrida’s spirit is always spectral whereas Robinson’s spirit survives t

HEED

飛鏢

Sol-Gel Formation of Bulk Glassese. It is this question of the name, as a ghost that one inherits and that survives one, that this short chapter addresses as it follows J.D. through issues of translation, citation, remembering, and time. Because, in time, the secret ghost of one’s own name returns, and so the future, life, and deat