Titlebook: Ghost Writing in Contemporary American Fiction; David Coughlan Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 American Lit

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5. Passing Through: Marilynne Robinson,eir death, so that its narrator is not so much a ghost writer as a spirit writer. Studying this spirit work, its Transcendentalist influences, its use of analogy, and its references to water, darkness, fire, and the house, Coughlan argues that Robinson presents her characters as transient ghosts, sp

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6. Gone Sometime. Home to Stay: Marilynne Robinson,vival of the spirit after death. Considering the repetition between ., ., and Robinson’s . also, Coughlan argues that these works of generations and inheritances themselves share an inheritance and that these repeating texts are, in turn, peopled by characters twinned in name and deed. At issue are

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Book 2016pters on Paul Auster,Don DeLillo, Toni Morrison, Marilynne Robinson, and Philip Roth alternatingwith shorter sections detailing the significance of the ghost in thephilosophy of Jacques Derrida, particularly within the context of his 1993text, .Specters of Marx.. Together, these accounts of phantoms

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