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Titlebook: Gadamer, Music, and Philosophical Hermeneutics; Sam McAuliffe Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive l

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21#
發(fā)表于 2025-3-25 05:58:35 | 只看該作者
Aurelio Ortiz,Estibaliz Sansinenea be seen (Grondin 1994). In Heidegger and Gadamer hermeneutics became universal in a way that now everything is a possible subject of understanding. Among those items of the hermeneutical universe are not only spoken sentences and books, but also pictures, movies, dance and other aesthetic phenomena
22#
發(fā)表于 2025-3-25 10:17:59 | 只看該作者
23#
發(fā)表于 2025-3-25 12:09:07 | 只看該作者
24#
發(fā)表于 2025-3-25 19:39:31 | 只看該作者
Arie Zeichner,Nadav Levin,Michael Dvorachekependent of the musicians. Controversially, Gadamer claims that aesthetic understanding depends on recognizing the authority of the artwork over its observer. What is more unique to music than other forms of art, however, is that an independent, impersonal movement has been ascribed to it as an esse
25#
發(fā)表于 2025-3-25 23:24:20 | 只看該作者
26#
發(fā)表于 2025-3-26 01:28:00 | 只看該作者
Kiran Nehra,Preti Yadav,Joginder Singh DuhanWhile music was formally listened to in “earthier” formats, whether that be through live concerts or huddled around vinyl record players, we now live in a digital age in which music is largely experienced through what we can refer to as more “l(fā)iquidated” formats, such as music streaming services or
27#
發(fā)表于 2025-3-26 04:48:15 | 只看該作者
C. Pomba,A. Belas,J. Menezes,C. Marques work, the concept of ., which translates a connotative field in English encompassing senses of fulfillment, execution, enacting and performance. For Gadamer, a work of art is continually open to reinterpretation through its ongoing performances and receptions (Gadamer, Epoché J Hist Philos 26(1):25
28#
發(fā)表于 2025-3-26 09:01:06 | 只看該作者
Advances in Animal Welfare Sciencecation (here including reference to musicological readings of Plato). Situating this discussion via Goethe and Plato along with Adorno’s late 1950s lectures on . together with a discussion of Nietzsche and antiquity, what is at stake is attunement and a tension which invites a discussion of Anne Car
29#
發(fā)表于 2025-3-26 13:49:32 | 只看該作者
https://doi.org/10.1007/978-3-031-41570-8Gadamer and music; music and hermeneutics; musical hermeneutics; philosophical hermeneutics; hermeneutic
30#
發(fā)表于 2025-3-26 17:34:51 | 只看該作者
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