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Titlebook: Gadamer, Music, and Philosophical Hermeneutics; Sam McAuliffe Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive l

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發(fā)表于 2025-3-21 19:59:34 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Gadamer, Music, and Philosophical Hermeneutics
編輯Sam McAuliffe
視頻videohttp://file.papertrans.cn/381/380316/380316.mp4
概述Explores the relevance of Gadamer‘s thinking for philosophy of music.Considers the musicality of understanding.Establishes the universal applicability of hermeneutics for understanding music
叢書(shū)名稱(chēng)Contributions to Hermeneutics
圖書(shū)封面Titlebook: Gadamer, Music, and Philosophical Hermeneutics;  Sam McAuliffe Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive l
描述This volume explores Hans-Georg Gadamer‘s philosophical hermeneutics within a musical context. It features contributions from philosophers, musicians, educators, and musicologists from a variety of backgrounds, and sheds light on both the hermeneutic nature of music and the musicality of hermeneutics. Contributors to this volume hermeneutically .think. with music to uncover its fundamentally hermeneutic character, and by thinking with Gadamer in a musical context, explore ways in which hermeneutics may be understood to possess an inherent musicality. Gadamer‘s thought is taken up in a variety of musical contexts including improvisation, musical performance, classical music, jazz, and music criticism..This first volume to explore Gadamer‘s hermeneutics in a musical context breaks new ground by challenging musical concepts and by pushing Gadamer‘s thought in new directions. It appeals to philosophers engaged with Gadamer‘s thought (and philosophical hermeneutics more broadly), as well as philosophers of music, musicologists, and musicians interested in critically engaging with the practice of performing and listening to music..
出版日期Book 2024
關(guān)鍵詞Gadamer and music; music and hermeneutics; musical hermeneutics; philosophical hermeneutics; hermeneutic
版次1
doihttps://doi.org/10.1007/978-3-031-41570-8
isbn_softcover978-3-031-41572-2
isbn_ebook978-3-031-41570-8Series ISSN 2509-6087 Series E-ISSN 2509-6095
issn_series 2509-6087
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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發(fā)表于 2025-3-21 22:59:02 | 只看該作者
Serious Play: Towards a Philosophical Understanding of Interpretative Musical Performanceork concept and the practices of repeatable concert production lead to an increased reification of the musical work and a focus on technical production. While many recent philosophers are trying to understand what sort of object the musical work is, notably Goehr and Benson have proposed differing a
板凳
發(fā)表于 2025-3-22 02:48:21 | 只看該作者
地板
發(fā)表于 2025-3-22 06:22:44 | 只看該作者
The Dance That Transforms: Gadamer on Morality, Music, and Religionto human knowledge and understanding. In this paper, I consider the role that religion (defined in a broad sense) played in helping human beings develop a common sense of understanding. Specifically, I examine some instances of religion in the form of song and dance—forms of religion that appear to
5#
發(fā)表于 2025-3-22 10:33:38 | 只看該作者
Tarrying with John Cage’s Plant Piecesience. At issue is the type of effortful work that intensifies the subject’s most valuable musical experiences and that allows them to become more sustainable and sensitive. It is assumed that music’s presence in the subject’s life should . and indeed . over time, although this guiding assumption is
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發(fā)表于 2025-3-22 16:23:04 | 只看該作者
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發(fā)表于 2025-3-22 17:07:26 | 只看該作者
Living Tradition: Jazz Improvisation in the Light of Gadamer’s Hermeneutics be seen (Grondin 1994). In Heidegger and Gadamer hermeneutics became universal in a way that now everything is a possible subject of understanding. Among those items of the hermeneutical universe are not only spoken sentences and books, but also pictures, movies, dance and other aesthetic phenomena
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發(fā)表于 2025-3-22 22:39:52 | 只看該作者
The Drastic Hermeneutics of Hans-Georg Gadamer and Vladimir Jankélévitchitch’s ‘drastic’ thought opposes all hermeneutic methods. To do so, I illustrate how hermeneutic interpretation is itself a drastic act of doing, taking Hans-Georg Gadamer’s philosophical hermeneutics and outlining its drastic components through the prism of Abbate’s Jankélévitch-inspired terms. I t
9#
發(fā)表于 2025-3-23 04:10:39 | 只看該作者
The Musical Work of Art and Its Interpretations: Gadamer’s Critique of Ingardens of art and their interpretations. If, for Ingarden, all interpretation relates to the work as a schematic structure, this relationship also implies distinguishing between the musical work of art and its interpretation, by virtue of an aesthetic differentiation that Gadamer criticizes in depth in .
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發(fā)表于 2025-3-23 05:43:49 | 只看該作者
Gadamer’s Horizons as Interfaces for Knowing Musical Worldsependent of the musicians. Controversially, Gadamer claims that aesthetic understanding depends on recognizing the authority of the artwork over its observer. What is more unique to music than other forms of art, however, is that an independent, impersonal movement has been ascribed to it as an esse
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