Titlebook: Gadamer, Music, and Philosophical Hermeneutics; Sam McAuliffe Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive l

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acrobat

Serious Play: Towards a Philosophical Understanding of Interpretative Musical Performanceork concept and the practices of repeatable concert production lead to an increased reification of the musical work and a focus on technical production. While many recent philosophers are trying to understand what sort of object the musical work is, notably Goehr and Benson have proposed differing a

Cumulus

支架

The Dance That Transforms: Gadamer on Morality, Music, and Religionto human knowledge and understanding. In this paper, I consider the role that religion (defined in a broad sense) played in helping human beings develop a common sense of understanding. Specifically, I examine some instances of religion in the form of song and dance—forms of religion that appear to

Glaci冰

Tarrying with John Cage’s Plant Piecesience. At issue is the type of effortful work that intensifies the subject’s most valuable musical experiences and that allows them to become more sustainable and sensitive. It is assumed that music’s presence in the subject’s life should . and indeed . over time, although this guiding assumption is

平常

平常

Living Tradition: Jazz Improvisation in the Light of Gadamer’s Hermeneutics be seen (Grondin 1994). In Heidegger and Gadamer hermeneutics became universal in a way that now everything is a possible subject of understanding. Among those items of the hermeneutical universe are not only spoken sentences and books, but also pictures, movies, dance and other aesthetic phenomena

Fibrin

The Drastic Hermeneutics of Hans-Georg Gadamer and Vladimir Jankélévitchitch’s ‘drastic’ thought opposes all hermeneutic methods. To do so, I illustrate how hermeneutic interpretation is itself a drastic act of doing, taking Hans-Georg Gadamer’s philosophical hermeneutics and outlining its drastic components through the prism of Abbate’s Jankélévitch-inspired terms. I t

創(chuàng)造性

The Musical Work of Art and Its Interpretations: Gadamer’s Critique of Ingardens of art and their interpretations. If, for Ingarden, all interpretation relates to the work as a schematic structure, this relationship also implies distinguishing between the musical work of art and its interpretation, by virtue of an aesthetic differentiation that Gadamer criticizes in depth in .

大猩猩

Gadamer’s Horizons as Interfaces for Knowing Musical Worldsependent of the musicians. Controversially, Gadamer claims that aesthetic understanding depends on recognizing the authority of the artwork over its observer. What is more unique to music than other forms of art, however, is that an independent, impersonal movement has been ascribed to it as an esse