Titlebook: England Through Colonial Eyes in Twentieth-Century Fiction; Ann Blake,Leela Gandhi,Sue Thomas Book 2001 Ann Blake, Leela Gandhi and Sue Th

興奮過度

shrill

充滿人

ANTE

municipality

課程

溫和女人

Black Families in Buchi Emecheta’s England(s) as an optimization of the ‘raw material’ of ‘her own story, her mothers’s [sic] story, her father’s story, her brother’s story, her children’s stories, and the stories of her friends and acquaintances in England’ (229); and as a purveying of ‘reprehensible aspects of Nigerian life retarding societa

惰性氣體

‘Ellowen, Deeowen’: Salman Rushdie and The Migrant’s Desireect. Like his other novels, . uses the discourse of migrancy as the launching pad for an attack on nationalism. And yet, this chapter will argue, for all his attempts to underscore the objective political validity of his anti-nationalist narratives, Rushdie’s work is severely constrained by its libi

Galactogogue

Liberating ‘contrasting spaces’: David Dabydeenexperience’ (. 10). ‘The British Empire…was as much a pornographic as an economic project’, he proposes (‘On Not Being Milton’ 61).. Dabydeen’s later volumes of poetry . (1988) and . (1994) and his novels . (1991), . (1993), . (1996), and . (1999) offer further imaginative elaborations of this propo

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