Titlebook: Dickens, Europe and the New Worlds; Anny Sadrin (Professor of English) Book 1999 Palgrave Macmillan, a division of Macmillan Publishers Li

不怕任性

: Or, America Revisedial of his American travels into art. Stone emphasised the importance of observation, experience and memory in Dickens’s composing process — the relationship between ‘fact and fiction’ (464–78). The view of the novel which has become dominant in recent years, while it acknowledges the influence on D

逢迎白雪

Despatched to the Periphery: the Changing Play of Centre and Periphery in Dickens’s Workuch despondency with the results of his looking about him ‘a(chǎn)s to talk of buying a rifle and going to America with a general purpose of compelling buffaloes to make his fortune’ (34.293).. The moment one’s smile fades at the absurd notion of Pocket as the great white hunter, smudgy implications surfa

agnostic

‘Anywhere’s Nowhere’: Dickens on the Movention to the novel’s dual narration, that famous experiment which Steven Marcus called (with much justice) ‘the most audacious and significant act of the novelistic imagination in England in the nineteenth century’.. Miller’s having so little to say about the matter, already remarkable in a chapter