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Titlebook: Dickens, Europe and the New Worlds; Anny Sadrin (Professor of English) Book 1999 Palgrave Macmillan, a division of Macmillan Publishers Li

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21#
發(fā)表于 2025-3-25 05:43:31 | 只看該作者
https://doi.org/10.1007/978-3-319-20702-5e, Dickens seems to point out that understanding means adapting what one hears to one’s personal experience and familiar linguistic patterns. Nicholas is asked by Mr Lillyvick whether he considers French a ‘cheerful language’:
22#
發(fā)表于 2025-3-25 09:34:09 | 只看該作者
23#
發(fā)表于 2025-3-25 12:28:54 | 只看該作者
24#
發(fā)表于 2025-3-25 17:50:08 | 只看該作者
25#
發(fā)表于 2025-3-25 22:37:51 | 只看該作者
26#
發(fā)表于 2025-3-26 01:11:09 | 只看該作者
27#
發(fā)表于 2025-3-26 05:21:07 | 只看該作者
100 Basic Programming Solutionsme, but it is my thesis that Dickens had both a critical attitude towards his own people regarding national identity and — for an Englishman at the time — a rather unusual openness to what Europe represented. This essay attempts to illuminate aspects of Dickens’s relationship to Italy as it is reflected in his letters, . and ..
28#
發(fā)表于 2025-3-26 10:21:04 | 只看該作者
29#
發(fā)表于 2025-3-26 13:42:03 | 只看該作者
and John Bullme, but it is my thesis that Dickens had both a critical attitude towards his own people regarding national identity and — for an Englishman at the time — a rather unusual openness to what Europe represented. This essay attempts to illuminate aspects of Dickens’s relationship to Italy as it is reflected in his letters, . and ..
30#
發(fā)表于 2025-3-26 19:38:22 | 只看該作者
Charles Dickens and his Performing Selvesblic reader. And I want to examine this under two headings: the first is the polyphonic voice that is exercised in his fiction and in his reading performances, and the second (related to this) has to do with attitudes within Victorian culture towards the constitution of the self.
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