Titlebook: Decadence and Modernism in European and Russian Literature and Culture; Aesthetics and Anxie Jonathan Stone Book 2019 The Editor(s) (if app

Ostrich

Michael Heller,Georg Frankl,Ludwig Helleric, the dystopian and the fantastic. They navigated the anxieties and upheavals of the . by reframing fundamental forms of knowledge and perception. This was a chaotic and messy undertaking that hinged on paradigmatic aesthetic and epistemological shifts. Symbolism was not wholly founded on idealism

秘傳

充滿人

胖人手藝好

SPECT

http://image.papertrans.cn/d/image/264093.jpg

規(guī)章

Introduction: Visible and Invisible Modernity,mbolism, the unsustainable combination of this world and the other. The works I examine model a shift in perspective that explodes the notion of reality and showcases the uneasy relationship between the tangible and intangible aspects of the surrounding world. Modernism quenches a growing fascinatio

使入迷

廣口瓶

voluble

,The Danger of Seeing Too Much: , Ethics and Aesthetics in Oscar Wilde’s ,osing perspectives are introduced. In Wilde’s play, Salome embodies a Decadent style while Iokanaan articulates the Symbolist worldview. In the cosmopolitan and multicultural setting of ancient Judea, Symbolism presents the unseen and intangible as a frightful and unsettling force. The play’s long a

neologism

,Meaningfulness and Superficiality: Joseph Conrad’s Surface Truths,ly. He thinks constantly about his surroundings and strives to understand all of the mysteries he encounters. By placing his experiences in a philosophical framework, Marlow believes he can stave off modernity’s most frightening aspects: uncertainty and doubt. He chooses a distinctly Decadent approa