Titlebook: Decadence and Modernism in European and Russian Literature and Culture; Aesthetics and Anxie Jonathan Stone Book 2019 The Editor(s) (if app

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國家明智

Decadence and Modernism in European and Russian Literature and CultureAesthetics and Anxie

象形文字

Indigence

Neutral-Spine

寬宏大量

https://doi.org/10.1007/978-3-476-99956-6ustain a coherent epistemological system. Yet this is posited as a legitimate aim for the movement. The belief in a profound superficiality supplies the key to accommodating the mixture of aestheticism and philosophy for which Decadence strives. Dmitrii?Merezhkovskii’s novel . (1895) sets up the key

寬宏大量

https://doi.org/10.1007/978-3-476-99956-6the age’s deep-seated anxieties and a strategy for coping with the fears induced by the upcoming end of the era and ensuing prospect of social decline. What I call a “Decadent metaphysics” imbues the movement with a productive and aesthetically pivotal place in late nineteenth-century culture. The d

創(chuàng)造性

https://doi.org/10.1007/978-94-017-6563-3osing perspectives are introduced. In Wilde’s play, Salome embodies a Decadent style while Iokanaan articulates the Symbolist worldview. In the cosmopolitan and multicultural setting of ancient Judea, Symbolism presents the unseen and intangible as a frightful and unsettling force. The play’s long a

CON

Rijndorps Bühne und Ihr Repertoirely. He thinks constantly about his surroundings and strives to understand all of the mysteries he encounters. By placing his experiences in a philosophical framework, Marlow believes he can stave off modernity’s most frightening aspects: uncertainty and doubt. He chooses a distinctly Decadent approa

meritorious