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Titlebook: Decadence and Modernism in European and Russian Literature and Culture; Aesthetics and Anxie Jonathan Stone Book 2019 The Editor(s) (if app

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樓主: BRISK
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發(fā)表于 2025-3-25 06:28:54 | 只看該作者
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發(fā)表于 2025-3-25 08:38:50 | 只看該作者
Conclusion: , Endings and Beginnings,ic, the dystopian and the fantastic. They navigated the anxieties and upheavals of the . by reframing fundamental forms of knowledge and perception. This was a chaotic and messy undertaking that hinged on paradigmatic aesthetic and epistemological shifts. Symbolism was not wholly founded on idealism
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發(fā)表于 2025-3-25 13:18:01 | 只看該作者
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發(fā)表于 2025-3-25 23:01:03 | 只看該作者
ncepts that informed early modernism.Illustrates the histori.Decadence and Modernism in European and Russian Literature and Culture: Aesthetics and Anxiety in the 1890s .rewrites the story of early modernist literature and culture by drawing out the tensions underlying its simultaneous engagement wi
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發(fā)表于 2025-3-26 03:23:31 | 只看該作者
https://doi.org/10.1007/978-3-476-99956-6the physical and the corporeal. Decadence and Symbolism both give access to truths that require a shift in perspective to perceive. They complement the broader historical trajectory of the . by affirming the novelty of a modernist mindset and offering an alternative to the empirical and positivistic atmosphere of the nineteenth century.
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發(fā)表于 2025-3-26 05:38:19 | 只看該作者
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發(fā)表于 2025-3-26 11:05:48 | 只看該作者
Introduction: Visible and Invisible Modernity,the physical and the corporeal. Decadence and Symbolism both give access to truths that require a shift in perspective to perceive. They complement the broader historical trajectory of the . by affirming the novelty of a modernist mindset and offering an alternative to the empirical and positivistic atmosphere of the nineteenth century.
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發(fā)表于 2025-3-26 16:30:57 | 只看該作者
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發(fā)表于 2025-3-26 19:49:29 | 只看該作者
https://doi.org/10.1007/978-3-476-99956-6 fragments, to unite his complexly structured first book . (1902). However, this work evidences an aesthetic concern that goes beyond surfaces and is more closely aligned with symbolism’s capacity to generate meaning through correspondences.
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