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Titlebook: Cultural Controversies in the West German Public Sphere; Aesthetic Fiction an Marcela Knapp Book 2020 The Editor(s) (if applicable) and The

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樓主: Amalgam
21#
發(fā)表于 2025-3-25 03:23:12 | 只看該作者
22#
發(fā)表于 2025-3-25 09:22:19 | 只看該作者
any’s “myth of origin” in the Holocaust. A transformation of the social and political imaginary, this case study suggests, is dependent on a form-language, which organizes a society’s relation with social reality.
23#
發(fā)表于 2025-3-25 13:04:29 | 只看該作者
Scottish Witchcraft Panics Re-examined,re of the “Rich Jew.” The Fassbinder controversy is a striking example of the importance of aesthetic form-languages for the constitution of social identities and the organization of their social space.
24#
發(fā)表于 2025-3-25 17:15:18 | 只看該作者
Scottish Witchcraft in its European Context,hetic controversy becomes explainable only if aesthetics is considered as representing social orders. The arts have institutionalized the aesthetic principle, which makes them a privileged space for the creation of affective structures and a driving force in the creation of social reality.
25#
發(fā)表于 2025-3-25 20:29:18 | 只看該作者
26#
發(fā)表于 2025-3-26 00:43:40 | 只看該作者
27#
發(fā)表于 2025-3-26 07:30:11 | 只看該作者
28#
發(fā)表于 2025-3-26 11:15:47 | 只看該作者
,A Moving World: George Orwell’s ,form-language created a chain of equivalence (Laclau/Mouffe) between the peace and data surveillance movement. Identity between the movements emerged through the dystopian pattern of communication. The dystopian paradigm actualized this pattern and made it fecund for the data surveillance movement.
29#
發(fā)表于 2025-3-26 14:14:08 | 只看該作者
30#
發(fā)表于 2025-3-26 20:07:34 | 只看該作者
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