Titlebook: Cultural Controversies in the West German Public Sphere; Aesthetic Fiction an Marcela Knapp Book 2020 The Editor(s) (if applicable) and The

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recede

Cultural Controversies in the West German Public Sphere978-3-030-40086-6

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Deduct

d on factuality. It also provides a first rough description of the work’s central concept, the “paradigm of interpretation,” which captures the relation critics establish between an artwork and social reality as it develops in a public discourse. The author argues that art becomes socially meaningfu

CLAM

dimension of the social as it has been conceptualized by the social philosopher Cornelius Castoriadis. In order to understand the transformation of the social, this chapter looks at the political as the dimension that makes social alteration possible and thinkable. Central theoretical approaches to

watertight,

s screening. The ensuing conflict was one between a metaphorical and an iconic paradigm of interpretation. For the film’s supporters, the depiction of sexuality in the film formed part of its metaphoric language, while the church representatives read it iconically. The different “readings” gave expr

watertight,

illance. While the novel was traditionally interpreted allegorically, this new paradigm re-conceived the novel as a dystopian vision of West Germany’s future. The novel’s impact for an emerging movement against data surveillance becomes explainable against the backdrop of the communication patterns

橢圓

ion and reality. By claiming to bring reality on stage, the play proclaimed a new approach to social reality, in which the past is inherently part of the present. The aesthetics of immediacy proposed by documentary theater created a new political imaginary, in which everything is political. It reorg

Affection

lion about to transform West Germany’s social order. This chapter analyzes the discourse about the rebel youth films ., ., ., and . They paradigmatically stand for the genre and together caused a public discourse. Through an aesthetics of physical presence and sensual corporeality, the films develop

小教堂