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Titlebook: Cultural Controversies in the West German Public Sphere; Aesthetic Fiction an Marcela Knapp Book 2020 The Editor(s) (if applicable) and The

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發(fā)表于 2025-3-21 16:11:04 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Cultural Controversies in the West German Public Sphere
副標(biāo)題Aesthetic Fiction an
編輯Marcela Knapp
視頻videohttp://file.papertrans.cn/241/240768/240768.mp4
概述Analyzes the relationship of the cultural imaginary and the social order of things with a sociological approach, offering an unique empirical analysis of aesthetic phenomena in culture.Bridges the dis
圖書(shū)封面Titlebook: Cultural Controversies in the West German Public Sphere; Aesthetic Fiction an Marcela Knapp Book 2020 The Editor(s) (if applicable) and The
描述.This book develops a theory of aesthetic fiction’s impact on?social identities. Throughout five case studies, the author develops the argument that social identities are nurtured by and may even emerge through the conflict between different aesthetic expressions. As it creates affective structures, narrative fiction enables the development and formation of political and cultural identities.?.This work is part of a field of research that deals with the aesthetics of the everyday and the idea of social aesthetics. It argues for a central role for the arts in the creation and formation of modern society. Social identities emerge in response to aesthetic-sensual patterns of perception..Focusing on five West German public debates in the years 1950 to 1990, this work sheds light upon the transformation of social reality through the discursive adaption of art..
出版日期Book 2020
關(guān)鍵詞Aesthetic Fiction; Social Identities; Aesthetic Form; Aesthetics of the Everyday; Social Aesthetics; West
版次1
doihttps://doi.org/10.1007/978-3-030-40086-6
isbn_softcover978-3-030-40088-0
isbn_ebook978-3-030-40086-6
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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Cultural Controversies in the West German Public Sphere978-3-030-40086-6
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d on factuality. It also provides a first rough description of the work’s central concept, the “paradigm of interpretation,” which captures the relation critics establish between an artwork and social reality as it develops in a public discourse. The author argues that art becomes socially meaningfu
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dimension of the social as it has been conceptualized by the social philosopher Cornelius Castoriadis. In order to understand the transformation of the social, this chapter looks at the political as the dimension that makes social alteration possible and thinkable. Central theoretical approaches to
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s screening. The ensuing conflict was one between a metaphorical and an iconic paradigm of interpretation. For the film’s supporters, the depiction of sexuality in the film formed part of its metaphoric language, while the church representatives read it iconically. The different “readings” gave expr
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illance. While the novel was traditionally interpreted allegorically, this new paradigm re-conceived the novel as a dystopian vision of West Germany’s future. The novel’s impact for an emerging movement against data surveillance becomes explainable against the backdrop of the communication patterns
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ion and reality. By claiming to bring reality on stage, the play proclaimed a new approach to social reality, in which the past is inherently part of the present. The aesthetics of immediacy proposed by documentary theater created a new political imaginary, in which everything is political. It reorg
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發(fā)表于 2025-3-23 04:56:10 | 只看該作者
lion about to transform West Germany’s social order. This chapter analyzes the discourse about the rebel youth films ., ., ., and . They paradigmatically stand for the genre and together caused a public discourse. Through an aesthetics of physical presence and sensual corporeality, the films develop
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