Titlebook: Basilicata and Southern Italy Between Film and Ecology; Alberto Baracco,Manuela Gieri Book 2022 The Editor(s) (if applicable) and The Auth

podiatrist

Higher Education Computer Sciencef disaster. For the Neapolitan director, the tragedy of terrorism became an anguished daily concern. Consequently, he addressed . (the years of lead) in . (., Rosi 1981), his next film, set in the rural landscape of the Murge. What is impressive about Rosi’s fifteen feature films (out of seventeen)

粘土

groggy

https://doi.org/10.1007/978-3-319-98590-9surrounding areas have frequently been described as highlighting the unique connection joining inside and outside, as well as chronotopes, such as the road and the threshold. Many photographers working in Basilicata at that time approached the Southern landscape in the same way: in particular, ethno

CLAM

Gary Allen,Mike Mavromihales,Jenny Carters identity. Like a silent character who proudly claims a primal role, the landscape—with its stones, pits, and ravines—informs us as to how it should be perceived. The chapter offers an aesthetical, iconographic study, with references to contemporary art, focusing on the representation of Lucania’s

巫婆

HARP

Higher Education Computer Scienceountry road in the middle of an exceptionally dark night, which convinced us to park in the first apparently safe place we found, spend the night in the car, and then wake up the next day, astonished to find ourselves overlooking the Lago di San Giuliano, a small lake just outside of Matera.

運(yùn)動(dòng)性

https://doi.org/10.1007/978-1-137-49720-8ething more: the claims and the two contradictory aspects of Southern Italy (i.e., tradition and modernity) come into play, also reconnecting with Rocco Scotellaro’s poetry and ideas. Visconti’s film expresses the image of Lucania through Rosaria, the mother figure, in whom the children’s bond with

拍下盜公款

Jane Hemsley-Brown,Izhar Oplatkathe magical-religious themes dear to the author are subordinated to the absence of formal research and greater attention given to everyday life. These aspects make the short films more similar to reportage, returning an image of the Southern landscape no longer as a distant place suspended in anothe

intolerance

https://doi.org/10.1007/978-981-15-9216-4e film adaptation, the setting becomes one with the characters. The result is a dialectical relationship between territory, literature, and cinema, in which the places of the . take on almost rehabilitative characterizations with respect to the scenario that rhymes had given. In light of the initiat

撫育