Titlebook: Basilicata and Southern Italy Between Film and Ecology; Alberto Baracco,Manuela Gieri Book 2022 The Editor(s) (if applicable) and The Auth

宏偉

填料

Exordium to the “opposite direction […] the one that goes toward the border,” a peripheral site of restlessness, ambivalence, tension, and division but also one that, just because of these same features, may also be a space from which to theorize about alternative futures and possibilities in order to find a new sense of unity (Cassano 2012, 45).

FRET

禁止

Fulsome

Petroculture, Southern Thought, and Itinerant Cinematic Resistance in Basilicataory of a longer voyage through Southern Italy, from Sicily to Rome. These two films are examples of itinerant cinema, as they focus their energies on long journeys that unfold on foot. In the process of walking across stretches of Italy, the films’ protagonists (and, ultimately, the films themselves

自然環(huán)境

雜役

Lucania, Land of Fairy Tales and Cinema: Gigi Roccati’s , and the Eco-Fairy-Tale Filmthe fairy tales collected by Basile metamorphosed in recent decades? What significant relationship exist nowadays between ., cinema, and ecological thought? From an ecocritical perspective, reconsidering some Italian cinematic adaptations of Basile’s work, such as Francesco Rosi’s . (1967), Matteo G

commune

Basilicata Inside and Outside. Lucanian Landscape and Postwar Nonfiction Cinemasurrounding areas have frequently been described as highlighting the unique connection joining inside and outside, as well as chronotopes, such as the road and the threshold. Many photographers working in Basilicata at that time approached the Southern landscape in the same way: in particular, ethno

MUTED

Certainty