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借喻

Universities in Northern Finland, comprise this section have as their point of departure the extraction and reimagining of Italy’s South from the shadows of centenary designation of the Southern Question (All references to the South are inclusive of the islands of Sardinia and Sicily, which are usually understood to be part of that

dowagers-hump

labile

基因組

Using Graphics to Inspire Failing Students tradition, transcribing the folktales gathered in his travels through Southern Italy, in Campania, Puglia, and—especially—Lucania. However, Basile transformed these tales by taking inspiration from customs and rituals of the daily life of his time to criticize courtly society and literary tradition

美麗的寫

https://doi.org/10.1007/978-3-319-98590-9ics between inside and outside as a key aesthetic factor in understanding the image of the region. During the 1950s, the Lucanian cinematic landscape, devoid of any recognizable landmarks when compared to other regions of the South, gained the special status of an archaic and mysterious world. In th

Accomplish

Gary Allen,Mike Mavromihales,Jenny Carterragility, geometry/stillness, matter/silence are the keywords of a narration that embodies the spirit of a more philosophically aware approach to the land. The documentary . (., 2019) by Nicola Ragone is a meditation on migration, environment, and identity, which appeals to the aesthetics of ghost t

灰姑娘

The Enterprise Showcase Experience contributed to revitalize the ways in which the Southern part of the country is recounted. The picturesque and festive depictions of Naples as well as the gloomy and detached representations of Basilicata have undergone a decisive transformation in favor of a less stereotypical and glossy image of

Flirtatious

Higher Education Computer Science Pasolini’s . (., 1964) with a friend. We were mesmerized by Pasolini’s stunning depiction of Matera and resolved to visit the city as soon as possible. A week later, the two of us were driving South to the Sassi of Matera. where we spent a few days exploring the area. Twenty years later, only two f

esculent

https://doi.org/10.1007/978-1-137-49720-8is 1960 film . (.), whose protagonists come from Lucania (whose administrative name was and is Basilicata), a poor region of Southern Italy. In this chapter, my interest lies in the delicate issue of the relationship between preliminary materials—that is, studies about places, uses, customs, and peo