Titlebook: Atmosphere and Aesthetics; A Plural Perspective Tonino Griffero,Marco Tedeschini Book 2019 The Editor(s) (if applicable) and The Author(s)

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Jan Borcherding,Bernhard Kellernned to give an account of the widespread interest gained by the ordinary concept of “atmosphere” in the last twenty years. “Atmosphere” has been more and more subsumed by the human and social sciences, thereby becoming a technical notion. In this broader context, the editors, secondly, aim at showi

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Segmentierungsans?tze aus der Marktforschungs necessary to consider the felt body as the object that lives “in” and “through” said spaces. The felt body—as opposed to the biological body—is something that a human being can feel as belonging to himself in the region of his body without resorting to the five senses. Furthermore, the chapter sho

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Fundraising und Institutional Readinessts can be tuned for a certain tone, so also atmospheres and persons can be attuned for a certain feeling. Not only does colloquial language blur the differences between atmospheres and moods. Also, the scientific terminology lacks clear distinctions. On the one hand, situational feeling is an expres

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Pere Mir-Artigues,Josep González-Calvethe production of atmospheres in the zoo context. Zoos often work hard to generate atmospheres which are appropriate to their purpose as sites for entertainment, education and conservation, and the encouragement of environmentally responsible behaviour. Drawing on first-hand experiences and observati

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Characteristics of line process,been associated with an economic value. Law’s commodity value, however, is increasingly superseded by its affective value, namely law’s ability to stage itself and communicate to the world that itself and none other . the law. This is not purely a declaratory need: it is not enough for law to say th

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Pere Mir-Artigues,Josep González-Calvetinary situations? What happens when we approach ambiance along its influences and its operational modes? Being of a lesser existence, ambiance exerts impregnating powers. Three complementary perspectives are explored. First, ambiance can be addressed as an in-between that phenomenalizes the world an