Titlebook: Atmosphere and Aesthetics; A Plural Perspective Tonino Griffero,Marco Tedeschini Book 2019 The Editor(s) (if applicable) and The Author(s)

翻動(dòng)

STERN

iences.Brings together studies and ruminations on the role a.This book provides a presentation of the concept of “atmosphere” in the realm of aesthetics. An “atmosphere” is meant to be an emotional space. Such idea of “atmosphere” has been more and more subsumed by human and social sciences in the l

勤勞

Critical

OATH

簡(jiǎn)略

Atmospheres and Memory: A Phenomenological Approachemembrance. Overall, memory is recognized as accessible through a phenomenological analysis. The terms of new phenomenology are able to show what happens within the context of memory processes. Finally, it is also shown that atmospheres play a role both as content and as trait of these processes.

固定某物

Jan Borcherding,Bernhard Kellerd its original vocation: to be a general theory of perception conceived of as an ordinary experience of pre-logical character. In the second part, the editors give a short account of the chapters that comprise the book, which also includes the wide breadth and scope of applications concerning an atmosphere-based aesthetics.

善辯

Devastate

Segmentierungsans?tze aus der Marktforschungws that human beings as felt bodies have developed techniques of designing spaces according to emotional and atmospheric needs. In this sense, habitation is the culture of emotions—which are atmospheres with a tendency towards a total expanse within the space of felt presence—in enclosed spaces.

orthopedist

Arthur Bitter,Samuel Haberstichf smelling can lead to totally getting lost in it, so that the atmosphere of smelling may become the world in which we are. Thus, such an experience can be the event of profane mystics that one may call smelling a pure joy.