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Titlebook: Atmosphere and Aesthetics; A Plural Perspective Tonino Griffero,Marco Tedeschini Book 2019 The Editor(s) (if applicable) and The Author(s)

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發(fā)表于 2025-3-21 19:46:57 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱(chēng)Atmosphere and Aesthetics
期刊簡(jiǎn)稱(chēng)A Plural Perspective
影響因子2023Tonino Griffero,Marco Tedeschini
視頻videohttp://file.papertrans.cn/165/164596/164596.mp4
發(fā)行地址Provides a complete presentation of the concept of "atmosphere".Discusses various applications of atmopshere in the humanities and social sciences.Brings together studies and ruminations on the role a
圖書(shū)封面Titlebook: Atmosphere and Aesthetics; A Plural Perspective Tonino Griffero,Marco Tedeschini Book 2019 The Editor(s) (if applicable) and The Author(s)
影響因子.This book provides a presentation of the concept of “atmosphere” in the realm of aesthetics. An “atmosphere” is meant to be an emotional space. Such idea of “atmosphere” has been more and more subsumed by human and social sciences in the last twenty years, thereby becoming a technical notion. In many fields of the Humanities, affective life has been reassessed as a proper tool to understand the human being, and is now considered crucial. In this context, the link between atmospheres and aesthetics becomes decisive. Nowadays, aesthetics is no longer only a theory of art, but has recovered its original vocation: to be a general theory of perception conceived of as an ordinary experience of pre-logical character. In its four parts (.Atmospheric turn?., .Senses and Spaces., .Subjects and Communities., .Aesthetics and Art Theory.), this volume discusses whether atmospheres could take the prominent and paradigmatic position previously held by art in order to make sense of such sensible experience of the world..
Pindex Book 2019
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Atmosphere, Place, and Phenomenology: Depictions of London Place Settings in Three Writings by Britihes itself to particular things, situations, spaces, and environments. By “place,” I refer to any environmental locus gathering experiences, actions, events, and meanings spatially and temporally. Following phenomenologies of place by Edward Casey (.. Indiana University Press, Bloomington, IN, 2009)
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A Jungly Feeling: The Atmospheric Design of Zooshe production of atmospheres in the zoo context. Zoos often work hard to generate atmospheres which are appropriate to their purpose as sites for entertainment, education and conservation, and the encouragement of environmentally responsible behaviour. Drawing on first-hand experiences and observati
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Atmospheric Aestheses: Law as Affectbeen associated with an economic value. Law’s commodity value, however, is increasingly superseded by its affective value, namely law’s ability to stage itself and communicate to the world that itself and none other . the law. This is not purely a declaratory need: it is not enough for law to say th
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