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Titlebook: Volpone; Text and Performance Arnold P. Hinchliffe Textbook 1985Latest edition Arnold P. Hinchliffe 1985 Coleridge.dramatist.English litera

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31#
發(fā)表于 2025-3-26 23:33:11 | 只看該作者
The Double Plot. So, for most of the plays of Shakespeare we can point to a particular source. But in . (as mentioned in section 1, Introduction, above), though it draws on many elements from its author’s wide learning, the action is Jonson’s own. T. S. Eliot* insists that Jonson’s dramatic skill lies not so much
32#
發(fā)表于 2025-3-27 04:39:33 | 只看該作者
33#
發(fā)表于 2025-3-27 07:42:07 | 只看該作者
34#
發(fā)表于 2025-3-27 09:30:01 | 只看該作者
Introductionin the cast, played the title-role. The staging of the play is fairly simple — and indeed it had to be, since it was performed at The Globe, then under more . circumstances at Cambridge and Oxford (whether in college halls or, as has been argued, in one of the local inns), and at court. The producti
35#
發(fā)表于 2025-3-27 14:40:46 | 只看該作者
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發(fā)表于 2025-3-27 20:07:40 | 只看該作者
37#
發(fā)表于 2025-3-27 22:09:47 | 只看該作者
Postscript: Bill Alexander’s Production, The Other Place, 1983f the bed, requires end-on staging. So, in Bill Alexander’s production of 1983, the whole back wall of the acting area was timbered with black Jacobean panelling; this provided cupboards, windows, doors and small peepholes for Voltore and Volpone. In the centre of the floor was a small platform whic
38#
發(fā)表于 2025-3-28 05:37:51 | 只看該作者
39#
發(fā)表于 2025-3-28 07:46:28 | 只看該作者
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發(fā)表于 2025-3-28 13:45:51 | 只看該作者
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