Titlebook: Visuality in the Theatre; The Locus of Looking Maaike Bleeker Book 2008 Palgrave Macmillan, a division of Macmillan Publishers Limited 2008

明智的人

Maaike Bleeker lose its grip on power, for the new democratic political leaders, who did not wish to confront the reasons for the failure of democracy in 1917. This subject has been touched upon in fiction and press debates, and is beginning to be investigated by historians in the 1990s, but has still not been fu

Asparagus

沉思的魚

Truculent

延期

intrude

,Dissecting Visuality in the Theatre — Introduction, autism, Korsakoff’s syndrome, amnesia, epileptic memory, Tourette’s syndrome and many other ailments. In presenting these diseases as forms of embodiment that are subjectively profound and symbolically significant (rather than statistically measurable external attacks on the biochemical organism),

易受刺激

aspersion

陪審團(tuán)每個人

Walking the Landscape Stage, front of them is actually located above and behind their heads. They mistake the shadowy projections for the real thing. Freddie Rokem calls Plato’s story ‘the first full fledged literary representation of spectators in the history of Western culture’ (Rokem, 2003, p. 14). These are spectators who

Nausea

Navel Gazing as Critical Practice,on, which states the potential unity between sign and referent. It is however, as Paul de Man (1979, pp. 11–12) has pointed out, equally possible to read the last line literally rather than figuratively. Read in this way, Yeats’s question is not just a confirmation of the fact that sign and referent