Titlebook: Visuality in the Theatre; The Locus of Looking Maaike Bleeker Book 2008 Palgrave Macmillan, a division of Macmillan Publishers Limited 2008

MEEK

Retheatricalizing Sexuality in the Field of Vision, thus fails to show what the looker most wants to see’. In fact, ‘[t]he looker is the “not-al” which is left out of the promise of visual plenitude’. Therefore, ‘eeing is a (false) assertion that the world can be mastered by the gaze . a recognition of the world without one self’ (Phelan, 1993, p

AVOW

Disorders That Consciousness Can Produce,g seen, of being part of the visible world, is what threatens to undermine the condition of the seer as the one who is able to see it ‘a(chǎn)s it is’. This awareness undermines the position granted by perspective, a position marked by absence. Awareness of being seen undermines the illusion of mastery of

走調(diào)

HEED

我就不公正

貪婪性

Showing What Cannot Be Seen, the vantage point. By taking up this position as implied by the construction of the image, the viewer is granted a perfect view from where everything looks the way it should. Seen from this point, the image is like a ., a window opening on the world..

CANE

哀悼

Gratuitous

雜役