Titlebook: Visual Synergies in Fiction and Documentary Film from Latin America; Miriam Haddu (Lecturer in Latin American Studies), Book 2009 Miriam H

控訴

degradation

On the Margins of Reality: Fiction, Documentary, and Marginal Subjectivity in Three Early Cuban Revoincidence of this formal tension with concrete historical tensions borne of the transformations that shape early Revolutionary cultural production. Of particular concern, here, are those moments when this formal tension corresponds to the emergence of marginal subjectivities that often contradicted

倫理學(xué)

修正案

: Images of Violence and the Position of the Spectator in Contemporary Brazilian Cinemashowing a recent film by José Padilha, . (2007), winner of the Golden Bear at the Berlin Film Festival in 2008. This film, a work of fiction, narrates in the first person the daily vicissitudes of Captain Nascimento, a member of BOPE, the special squad of Rio’s military police with responsibility fo

spondylosis

: A Formative Space for Chilean Identitycher, and educator in the generation of a profoundly poetic (trans)formative space for Chilean identity. In order to address this multifaceted work, which was awarded the Glauber Rocha Award for Best Latin American Film and the International Press Award (FIPRESCI) at the 2002 Montreal World Film Fes

Bureaucracy

tolerance

巨大沒有

Between Image and Word: Minority Discourses and Community Construction in Eduardo Coutinho’s Documeng but also in the broader panorama of Brazilian cinema. This chapter analyzes two of Coutinho’s documentaries: . (., 1992) and . (., 2001). It aims to investigate how the marginalized communities captured in both films are represented and to observe the processes involved in the construction of an i

健談的人