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Titlebook: Visual Synergies in Fiction and Documentary Film from Latin America; Miriam Haddu (Lecturer in Latin American Studies), Book 2009 Miriam H

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發(fā)表于 2025-3-25 06:52:49 | 只看該作者
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發(fā)表于 2025-3-25 09:22:52 | 只看該作者
Visual Synergies in Fiction and Documentary Film from Latin America
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發(fā)表于 2025-3-25 14:00:34 | 只看該作者
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發(fā)表于 2025-3-25 20:13:50 | 只看該作者
ollywood came under politically motivated investigation. Although the political doings of the Senate’s House Committee on Un-American Activities (HUAC) have no direct place in this study, its massively publicised investigations of alleged left-wing activity in Hollywood had an economic impact in tha
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發(fā)表于 2025-3-26 01:39:39 | 只看該作者
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發(fā)表于 2025-3-26 07:09:51 | 只看該作者
Joanna Page2), the number of hard-boiled films in this period that actually have a detective, in the conventional form of the private eye, is much less than most people suppose.. The intersections of private eye format with the wider phenomenon of ., the iconic status of the hard-boiled detective, and the cano
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發(fā)表于 2025-3-26 09:15:10 | 只看該作者
Michael Chananm D. W. Griffith’s bizarre representation of the supposed heroism of the Ku Klux Klan in . (1915) to the more recent brazen exercises in Eurocentrism such as Gary Synder’s . (2007). This is a mindset that envisions the world from a single, privileged point, which has been naturalized as “common sens
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發(fā)表于 2025-3-26 16:32:46 | 只看該作者
Dylon Robbinsthe South Seas. “The missionaries,” he declared optimistically, “have done a great deal for us in clearing up our notions about savage nations. What an immense deal of harm Captain Cook’s ‘Voyages’ did in that way!”. Sterling’s optimism, however, was misplaced, and during the ensuing decades the Sou
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發(fā)表于 2025-3-26 17:27:10 | 只看該作者
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