| 書目名稱 | The Science of Paintings | | 編輯 | W. Stanley Taft,James W. Mayer | | 視頻video | http://file.papertrans.cn/920/919318/919318.mp4 | | 概述 | Request lecturer material: | | 圖書封面 |  | | 描述 | The beauty, mystery, joy, and inspired observation of the human spirit that paintings evoke result from a complex of intuitive and cognitive choices made by the artist. An understanding of the genesis of these choices can be as elusive as the resulting imagery, but great paintings seem to initiate in us a curiosity about the ideas, methods, and mate- als used by their creators. In the twentieth century connoisseurship has been enriched by the application of methods of scientific analysis. The results of these investigations into the physical properties of paintings have shed new light on their authenticity and individual histories as well as on the craft in general. Developments in the fields of physics and chemistry have allowed us to understand still more about how we p- ceive and interact with paintings. This book is intended for those both inside and outside the field of art who wish to gain insight into the making of paintings. It is directed toward students, teachers, and scientists in engineering, physics, and chemistry as well as those in art, art history, and art conservation. This book grew out of the interdisciplinary undergraduate-level course Art, Isotopes, and Ana- si | | 出版日期 | Textbook 2000 | | 關(guān)鍵詞 | Pigment; chemical methods; materials science; organic binders; paint films; paintings; physical principles | | 版次 | 1 | | doi | https://doi.org/10.1007/b97567 | | isbn_softcover | 978-1-4757-7388-0 | | isbn_ebook | 978-0-387-21741-3 | | copyright | Springer Science+Business Media New York 2000 |
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