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Titlebook: Symbolic Landscapes; Gary Backhaus,John Murungi Book 2009 Springer Science+Business Media B.V. 2009 atlas.design.lived-geography.philosoph

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樓主: morphology
31#
發(fā)表于 2025-3-26 22:02:14 | 只看該作者
At Home on the Midway: Carnival Conventions and Yard Space in Gibsonton, Floridand carnival midway/backyard-in-a-neighborhood, which result in the confluence of symbolizations. What appears to be an oxymoron, contradiction, or bizarre overlay is shown to be workable way of life, especially the qualities of mobility and itinerancy against a staid notion of home. Gibsonton is the
32#
發(fā)表于 2025-3-27 04:24:46 | 只看該作者
Crossing the Verge: Roadside Memorial—Perth, Western Australiaography of enactment. Lived geography, as the author argues, involves both perceptual and conceptual spaces, and we maintain that these intertwine in the embodied act of imagineering, in the construction of an actual symbolic landscape and the ritualized experiences of it. The author uses the term,
33#
發(fā)表于 2025-3-27 05:48:48 | 只看該作者
34#
發(fā)表于 2025-3-27 12:49:48 | 只看該作者
Metaphor, Environmental Receptivity, and Architectural Designns a fundamental connection with gesture, the bodily comportments that express meaning. Metaphor emerges through the imagination and as we have maintained imagination involves both body schema and the virtual body. Through a bodily attunement with new metaphors, an architect translates the gestural
35#
發(fā)表于 2025-3-27 14:05:27 | 只看該作者
Introduction II An Apology Concerning the Importance of the Geography of Imaginationogenital moment of perception involving gestural responses (meanings) enacting a situated embodiment. These precognitive meanings are the genetic source for intellectual, moral, and aesthetic meanings of human consciousness. Through the sensuosity of a work of art, sensibilities provide for the . of
36#
發(fā)表于 2025-3-27 18:55:31 | 只看該作者
37#
發(fā)表于 2025-3-27 23:33:53 | 只看該作者
Symbolism and the Interaction of the Real and the Ideal: Scenery in Early-Modern Netherlandish Graphnds by articulating the symbolic/ideal aspects of various works of the period. This counter-thesis of interaction provides an opportunity to make the deeper case, on the basis of our epistemological position, that perception and imagination are interrelated poles along a continuum, that all works of
38#
發(fā)表于 2025-3-28 03:13:35 | 只看該作者
39#
發(fā)表于 2025-3-28 07:47:27 | 只看該作者
40#
發(fā)表于 2025-3-28 12:11:40 | 只看該作者
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