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Titlebook: Sixteenth-Century English Literature; Murray Roston Textbook 1982Latest edition Macmillan Publishers Limited 1982 English.history of liter

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發(fā)表于 2025-3-21 18:15:03 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Sixteenth-Century English Literature
編輯Murray Roston
視頻videohttp://file.papertrans.cn/869/868150/868150.mp4
叢書名稱Macmillan History of Literature
圖書封面Titlebook: Sixteenth-Century English Literature;  Murray Roston Textbook 1982Latest edition Macmillan Publishers Limited 1982 English.history of liter
描述The sixteenth century marked a remarkable revival in literary output in England. In this wide ranging and dynamic study Murray Roston argues that the century‘s writers possessed a unique dual vision of man, which sets their work apart from their predecessors. The development of the English language, the use of new poetic forms, the growth of the playhouse, and the arrival of the middle-class rather than the nobleman writer on the literary scene, are just some of the themes discussed.
出版日期Textbook 1982Latest edition
關(guān)鍵詞English; history of literature; literature; sixteenth century
版次1
doihttps://doi.org/10.1007/978-1-349-27750-6
copyrightMacmillan Publishers Limited 1982
The information of publication is updating

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發(fā)表于 2025-3-21 23:48:50 | 只看該作者
The dual vision,ntinent for its models came suddenly into its own, and the poetry of Sidney and Spenser, Marlowe and Shakespeare not only projected England to the forefront of the European scene, but set new standards against which the drama and poetry of future generations would be judged.
板凳
發(fā)表于 2025-3-22 03:09:17 | 只看該作者
地板
發(fā)表于 2025-3-22 08:19:22 | 只看該作者
The dual vision,Wyatt and Surrey, and the boisterous comedy of .. Yet nothing within that century can match the surge of creativity which was so brilliantly to mark its final decades. In the brief space of some ten to fifteen years, what had been until then an essentially imitative literature looking towards the co
5#
發(fā)表于 2025-3-22 09:04:35 | 只看該作者
In search of a prose style,the state of the English language. French had long been, with Latin, the language of international diplomacy, and Italian, with a tradition reaching back uninterruptedly to the period of ancient Rome, possessed the range and vocabulary requisite for the various genres of literature. But English rema
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發(fā)表于 2025-3-22 14:01:17 | 只看該作者
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發(fā)表于 2025-3-22 18:36:36 | 只看該作者
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發(fā)表于 2025-3-22 21:47:32 | 只看該作者
Into the playhouse,he York Crucifixion play, for example, depicts the instruments of torture with chilling realism and the nauseating professionalism of the soldiers driving in the nails. The central figure in that scene, however, as he hung above them on the cross, spoke not in the agony of his bodily suffering but w
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發(fā)表于 2025-3-23 05:13:19 | 只看該作者
,‘Grub Street’, facet of the all-round accomplishments expected of the courtier. The proliferation of titles among the leading writers earlier in the century — Sir Thomas More, Sir Thomas Wyatt, the Earl of Surrey, Sir Thomas Norton, Sir Thomas Sackville — is sufficient indication that literature was then largely
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發(fā)表于 2025-3-23 07:46:34 | 只看該作者
Harmony and proportion, 1547 was followed by a lull of over thirty years, during which time the miscellanies continued popularising the sonneteering style but added little of significance. This faltering of the new poetry after so encouraging a start has proved puzzling to historians. It may reflect a more general slowing
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