Titlebook: Sixteenth-Century English Literature; Murray Roston Textbook 1982Latest edition Macmillan Publishers Limited 1982 English.history of liter

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書目名稱Sixteenth-Century English Literature影響因子(影響力)




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書目名稱Sixteenth-Century English Literature網(wǎng)絡公開度學科排名




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書目名稱Sixteenth-Century English Literature被引頻次學科排名




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書目名稱Sixteenth-Century English Literature讀者反饋學科排名

消毒

The dual vision,ntinent for its models came suddenly into its own, and the poetry of Sidney and Spenser, Marlowe and Shakespeare not only projected England to the forefront of the European scene, but set new standards against which the drama and poetry of future generations would be judged.

格子架

amputation

The dual vision,Wyatt and Surrey, and the boisterous comedy of .. Yet nothing within that century can match the surge of creativity which was so brilliantly to mark its final decades. In the brief space of some ten to fifteen years, what had been until then an essentially imitative literature looking towards the co

CAPE

In search of a prose style,the state of the English language. French had long been, with Latin, the language of international diplomacy, and Italian, with a tradition reaching back uninterruptedly to the period of ancient Rome, possessed the range and vocabulary requisite for the various genres of literature. But English rema

maroon

多嘴

parsimony

Into the playhouse,he York Crucifixion play, for example, depicts the instruments of torture with chilling realism and the nauseating professionalism of the soldiers driving in the nails. The central figure in that scene, however, as he hung above them on the cross, spoke not in the agony of his bodily suffering but w

建筑師

,‘Grub Street’, facet of the all-round accomplishments expected of the courtier. The proliferation of titles among the leading writers earlier in the century — Sir Thomas More, Sir Thomas Wyatt, the Earl of Surrey, Sir Thomas Norton, Sir Thomas Sackville — is sufficient indication that literature was then largely

使成整體

Harmony and proportion, 1547 was followed by a lull of over thirty years, during which time the miscellanies continued popularising the sonneteering style but added little of significance. This faltering of the new poetry after so encouraging a start has proved puzzling to historians. It may reflect a more general slowing