Titlebook: Rene Girard, Law, Literature, and Cinema; The Legal Drama of t Eric M. Wilson Book 2024 The Editor(s) (if applicable) and The Author(s), un

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Confess

喚醒

Rene Girard, Sophocles, ,, and the Goat Song of ,dernity in a manner that is of enormous use and interest to the academic field of law-and-literature. This introductory chapter accomplishes three central tasks. The first is providing a concise definition of the most crucial terms within Girard’s literary and anthropological theories. The second is

Neolithic

青春期

表臉

Frisky

悄悄移動

,‘I Just Want to Talk…’: Liberalism, Generative Unanimity, and Post-sacrificial Scapegoating in ,edictably, the film ends with an unconditional affirmation of the secular liberal State as a post-sacrificial society through the jury’s unanimous verdict to acquit the accused. Examined more closely, however, the film possesses an added depth of meaning: the control of the scapegoat mechanism is th

comely

燈泡

,The Telling of Lies and the Casting of Lots: Franz Kafka’s , and the Eternal Undecidability of the a’s .. The drama of Josef K. can be understood as the demystification of legal process as a mechanism of scapegoating in which the violence of the community is directed at a ritualistically selected sacrificial victim. What Kafka, or ‘Franz K.,’ did so supremely well is to undertake this deconstruct