Titlebook: Rene Girard, Law, Literature, and Cinema; The Legal Drama of t Eric M. Wilson Book 2024 The Editor(s) (if applicable) and The Author(s), un

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,‘Out There’: Monstrous Doubles and the , in Truman Capote’s ,ious aspects of Capote’s master work is his fabrication of a totally false ending: in order to provide his ‘true’ tale with closure, Capote invented a fictional encounter within a Kansas cemetery, one that carries remarkably sacrificial implications. . will be subjected to a close Girardian reading,

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Spare a Thought for the Hangman: The Apocalypse of Rene Girard,of the demystifiers of the scapegoat. It also adopts a more openly speculative approach toward current issues in the rising order of techno-information society. The chapter criticizes Girard’s naively realist and wholly unproven assumption that the demystification of the scapegoat will result in the

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,‘Does Anybody Know Anything About the Law?’: White Male Suburbanites in the Wilderness and Their Reundifferentiation, conflictual mimesis, the monstrous doubles—that collectively serve to undermine the facile assumption of the universality of the social contract as well as any clear demarcation between the realms of sovereignty and homicide, law and crime.

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,‘,’ or, ‘The Dream of Reason Creates Monsters’: Two Little Piggies Went to the Apocalypse in Williaimitates the evolution of sacrifice: from Simon to Piggy to Ralph and culminating in the establishment of Jack’s theocracy and the cementing of ritualistic sacrifice as the foundation of social and political order, the endless replacement of the victim through the deliberate repetition of the origin

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,‘A Little Law and Order Wouldn’t Hurt Anybody Around Here’: ‘,’ and ‘,’,on, that precise moment in time at which the identity of the enemy is named, allows the community (the friends) to emerge. The word ‘decision’ is etymologically derived from the Latin term ., the initial incision into the body of the sacrificial victim; hence, the iconic plot of the Western—the war

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