Titlebook: Refiguring Techniques in Digital Visual Research; Edgar Gómez Cruz,Shanti Sumartojo,Sarah Pink Book 2017 The Editor(s) (if applicable) and

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https://doi.org/10.1007/978-3-319-61222-5digital-visual techniques; digital-visual technologies; research and intervention; technological change

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The Editor(s) (if applicable) and The Author(s) 2017

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Technologies, Possibilities, Emergence and an Ethics of Responsibility: Refiguring Techniques, the ‘technological possible’ mean for digital visual research?; What are the implications of seeing researcher engagement with new and emerging technologies as improvisation rather than innovation?; What does this mean for an ethics of responsibility in digital visual research?; How can we harness

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Non-human Sensing: New Methodologies for the Drone Assemblage,th technologies. Piloting a drone through a live video stream appears to create a sensory extension. Yet the increasing autonomy of the drone, facilitated by exponential innovation in sense-and-avoid technologies, point towards future amalgamations that are increasingly more-than-human. In the conte

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Empathetic Visuality: GoPros and the Video Trace,apter, we explore the possibilities such technologies offer us for encountering and analysing aspects of other people’s and our own (as researchers) experiences through ethnographic theory and practice. In doing so, we focus on the notion of the video trace—that is, the idea that such cameras do not

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,In Defence of the “Thin”: Reflections on the Intersections Between Interactive Documentaries and Etotentiality of this audio-visual form as a tool for teaching and conducting visual ethnographies. It proposes, therefore, a shift away from conventional reflections on the potentiality of idocs as communication tools exploring instead the extent to which idocs can be considered as proper tools for p

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At the Edges of the Visual Culture of Exile: A Glimpse from South Australia,h of their homelands. It explores the complex conjunction of trauma and pleasure in situations of exile and hones in on the vital role of digital visual mediation in the creative work of making oneself at home in foreign circumstances. In exile, memory and digitisation of images, sounds and interact

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