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Titlebook: Refiguring Techniques in Digital Visual Research; Edgar Gómez Cruz,Shanti Sumartojo,Sarah Pink Book 2017 The Editor(s) (if applicable) and

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樓主: 大口水罐
31#
發(fā)表于 2025-3-26 21:35:51 | 只看該作者
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發(fā)表于 2025-3-27 03:51:22 | 只看該作者
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發(fā)表于 2025-3-27 06:31:10 | 只看該作者
34#
發(fā)表于 2025-3-27 11:41:26 | 只看該作者
Imagining Technique: Reflexivity, Ethnographic Arts and the Digital-Real, potential for agitating processes, narratives and senses of knowing and unknowing (something) about the world, for an imagining of the possible—for memories, senses, futures. As a textual encounter, this chapter presents a layered account of practice-as-research.
35#
發(fā)表于 2025-3-27 13:47:45 | 只看該作者
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發(fā)表于 2025-3-28 05:08:27 | 只看該作者
Visual Documentation in Hybrid Spaces: Ethics, Publics and Transition, street art in the space of the urban street and questions of visitor conduct, gallery space and museum design. The changing nature of public and private spaces, the complex status of the contemporary digital image, and a range of ethical imperatives in digital visual research are discussed in relation to the hybrid spaces of gallery and street.
39#
發(fā)表于 2025-3-28 07:11:07 | 只看該作者
Book 2017y. The contributors explore how new and evolving digital-visual technologies and techniques have been utilized in the development of research, and reflect on how such theory and practice might advance what is “knowable” in a world of smartphones, drones, and 360-degree cameras.?.
40#
發(fā)表于 2025-3-28 10:24:34 | 只看該作者
Book 2017discusses technological change and technological possibility; theoretical shifts toward processual paradigms; and a respectful ethics of responsibility. The contributors explore how new and evolving digital-visual technologies and techniques have been utilized in the development of research, and ref
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