Titlebook: Queer/Adaptation; A Collection of Crit Pamela Demory Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive license to

小說

Transnational Slash: Korean Drama Formats, Boys’ Love Fanfic, and the Place of Queerness in East AsiLessard makes the case that queer cultural forms and online fandoms should be seen as a driving force in East Asian media flows. Focusing on the queer-themed Korean drama, . and its subsequent formatting for Japanese and Taiwanese markets, Lessard traces the transnational, queer circuitries of adapt

Factual

Queer Many Ways: Ulrike Ottinger’s , (1984), combines Oscar Wilde’s . with the three . films of 1922, 1933, and 1960 (director Fritz Lang) and makes references to even more texts and histories. It includes multiple approaches to queer adaptation: it queers straight texts, reaches out to a queer viewer, expresses queer sensibilities and exper

得罪人

ADAGE

sclera

廣告

Willful Infidelities: Camping revolution as camp was emerging as a more visible and pervasive representational trend. The first is Radley Metzger’s . 2000 (1969), a film that helped secure Metzger’s reputation as an auteur of “highbrow” erotica for mixed-sex audiences. The second is the Ridiculous Theatrical Company’s . (1973) b

HAVOC

Comedienne

OTHER

The Queer Aesthetics of Tom Ford’s Film Adaptations: , and s cinematic grammar to create films that underscore both emotional connection and alienation—a queer aesthetic. Ford’s fascination with classic Hollywood cinema and his artistic sense as a queer filmmaker allow him to involve his audience in stories that speak to queer sensibilities but make them relevant to the general spectator.

galley

Adaptation, and Queer Timeonstruction of time and space, its resistance to—and revision of—conventional narrative patterns. The analysis also suggests a strategy for approaching other adaptations—not as a contest between two competing works to see which one is more authentic, but as a collaboration among artists, readers, commentators, spectators.