Titlebook: Queer/Adaptation; A Collection of Crit Pamela Demory Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive license to

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Emancipating ra, . (.). Transforming what had been a novella, a play, an opera, and a musical into a screenplay and relocating it from nineteenth-century Nagasaki to twenty-first-century Bangkok triggered numerous changes. But most profound were those resulting from the queering process, which, with the lovers n

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The Queer Aesthetics of Tom Ford’s Film Adaptations: , and adaptation of Austin Wright’s heteronormative thriller . (1993). Neither film is a literal translation from one medium to another, but the essence of each novel is present in the respective adaptations. By examining Ford’s adaptation process, this chapter highlights how a gay-identified director use

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: Beginning to Bloomth texts, Hannibal is a remorseless killer. However, Hannibal and Will’s tortured, queer relationship occupies the emotional and narrative center of Fuller’s series, a luxury not afforded to Buffalo Bill in Demme’s .. . consistently refuses easy delineations of heroism and villainy, instead embracin

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Adaptation, and Queer Time illustrates the queer potential of adaptation. Although the film received an Oscar for Best . Screenplay, this essay demonstrates the value of reading the film as an .. Doing so helps us to see the film’s essential queerness, which has to do not just with its focus on a gay character but with its c

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