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Titlebook: Onscreen Allusions to Shakespeare; International Films, Alexa Alice Joubin,Victoria Bladen Book 2022 The Editor(s) (if applicable) and The

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樓主: 烏鴉
11#
發(fā)表于 2025-3-23 10:16:55 | 只看該作者
,“, …”: Referencing Shakespeare or Agatha Christie?,tha Christie’s detective novel. We will explore the double layer of reference and study what a French audience may make of such a reference. What remains of Shakespeare when it is both concealed and revealed by Christie’s work and its afterlives? How do Shakespeare and Christie share the seeds and roots of such a reference?
12#
發(fā)表于 2025-3-23 17:12:32 | 只看該作者
Soviet and Post-Soviet References to Hamlet on Film and Television,n of and references to characters and motifs of .. Examples include Soviet crime comedy film . (1965), the children’s comedy television show ., in which an episode (“Poor Yurick”) references ., and the TV series . (1999–2000).
13#
發(fā)表于 2025-3-23 19:48:54 | 只看該作者
14#
發(fā)表于 2025-3-23 22:39:00 | 只看該作者
2947-8901 cholars to explore Shakespearean appropriations in unexpected contexts in lesser-known films and television shows in India, Brazil, Russia, France, Australia, South Africa, East-Central Europe and Italy, with reference to some filmed stage works..978-3-030-93785-0978-3-030-93783-6Series ISSN 2947-8901 Series E-ISSN 2947-891X
15#
發(fā)表于 2025-3-24 06:03:56 | 只看該作者
16#
發(fā)表于 2025-3-24 10:05:27 | 只看該作者
,Shakespeare’s , in Federico Fellini’s , troublesome Fascist history. Our recognition (or false conviction) that a quotation comes from Shakespeare induces more general associations and causes the viewers to build a whole network of intertextual references.
17#
發(fā)表于 2025-3-24 14:32:14 | 只看該作者
18#
發(fā)表于 2025-3-24 16:18:09 | 只看該作者
,The Boundaries of Citation: Shakespeare in Davide Ferrario’s , (2008), Alfredo Peyretti’s , (2009),a clear-cut dividing line between (mere) citation and (full-blown) adaptation? The chapter suggests that to speak of “Shakespeare in tatters” is to speak of Shakespearean citationality, a field within which citation and other forms of Shakespearean afterlife situate themselves as variables that cann
19#
發(fā)表于 2025-3-24 20:47:25 | 只看該作者
20#
發(fā)表于 2025-3-25 01:28:20 | 只看該作者
ic understanding of the development of philosophy. For this reason, much of this chapter is focused on common understanding, common language and shared experiences of reality. This common level is often bypassed in philosophical conversation, even though it includes philosophically interesting quest
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