Titlebook: Onscreen Allusions to Shakespeare; International Films, Alexa Alice Joubin,Victoria Bladen Book 2022 The Editor(s) (if applicable) and The

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Alexa Alice Joubin,Victoria BladenBrings together an international group of scholars to explore Shakespearean appropriations in films and TV.Comprises a truly global lineup of contributors.Looks at a variety of different types of cine

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Global Shakespeareshttp://image.papertrans.cn/o/image/701670.jpg

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https://doi.org/10.1007/978-3-030-93783-6Shakespeare; Adaptation; Film; Television; Theatre; Intertextuality; Japan; India; Brazil; Russia; France; Aust

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Introduction to Onscreen Allusions to Shakespeare, constitute appropriations of, rather than adaptations of, Shakespeare. This chapter also offers an outline of this book which contains chapters on Shakespearean appropriations in lesser-known films and unexpected contexts in India, Brazil, Russia, France, Australia, South Africa, East-Central Europe and Italy.

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Antipodean Shakespeares: Appropriating Shakespeare in Australian Film,al relationship between Australia and Britain. Shakespeare has also been a key medium for articulating human relationships and experiences of loss, absence and resilience, as these three films demonstrate.

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Shakespeare in Bits and Bites in Indian Cinema,ngential, parodic, or unacknowledged relation to the source. Each of the following films represents differing modes of referencing Shakespeare: ., directed Vinod Vidhu Chopra, 2007; ., directed Vishal Bhardwaj, 2013, and . directed Siddique, 2011. This chapter traces the evolving cultural trajectory of Shakespeare citations in Hindi cinema.