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Titlebook: On the Artistic Representation of Industrial Disputes in the Shadow of Repression in European Art ; From 1870 to 1914 an Filip Dorssemont B

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11#
發(fā)表于 2025-3-23 13:08:46 | 只看該作者
Conclusions,e transversal opening chapter in this volume. The aim has never been to answer a unique and comprehensive research question related to a still fairly unexplored field. However, like the owl of Minerva which contemplates human’s labour ., it is worthwhile to highlight some transversal findings.
12#
發(fā)表于 2025-3-23 13:55:26 | 只看該作者
Law and Visual Jurisprudencehttp://image.papertrans.cn/o/image/701120.jpg
13#
發(fā)表于 2025-3-23 21:25:30 | 只看該作者
https://doi.org/10.1007/978-3-031-63634-9Strikes; Trade Unions; Political Strikes; History of Art; Social History; Social Realism in Art; Visual Cu
14#
發(fā)表于 2025-3-23 22:20:33 | 只看該作者
Introduction,cus on strikes opposing workers and their employer. The works of art are essentially produced by artists who were born and trained in Europe. The period between 1870 and 1914 has been chosen for the purpose of temporal demarcation. It is a kind of . (foundational period) that is characterised by acc
15#
發(fā)表于 2025-3-24 03:54:52 | 只看該作者
Some Perspectives on the Representation of Industrial Disputes Under the Shadow of Repression in Euen 1870 and 1914. The focus is on representation in painting, engraving and sculpture. The analysis is iconological. Since industrial disputes relate to a process, a selected body of works of art will be analyzed according to the various stages in the development of the dispute, rather than on the b
16#
發(fā)表于 2025-3-24 08:50:18 | 只看該作者
17#
發(fā)表于 2025-3-24 11:59:34 | 只看該作者
18#
發(fā)表于 2025-3-24 17:07:23 | 只看該作者
19#
發(fā)表于 2025-3-24 21:16:27 | 只看該作者
From 1844 to 1944: Workers and Revolutions in Poland, of the 1905 Revolution, the first one on the territory of partitioned Poland where the demands to restore autonomy for the Poles were accompanied by calls for better working and living conditions of the workers. For the first time working men and women became the actors and not spectators of the hi
20#
發(fā)表于 2025-3-24 23:18:36 | 只看該作者
Conclusions,e transversal opening chapter in this volume. The aim has never been to answer a unique and comprehensive research question related to a still fairly unexplored field. However, like the owl of Minerva which contemplates human’s labour ., it is worthwhile to highlight some transversal findings.
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