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Titlebook: On the Artistic Representation of Industrial Disputes in the Shadow of Repression in European Art ; From 1870 to 1914 an Filip Dorssemont B

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發(fā)表于 2025-3-21 16:34:17 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱On the Artistic Representation of Industrial Disputes in the Shadow of Repression in European Art
副標(biāo)題From 1870 to 1914 an
編輯Filip Dorssemont
視頻videohttp://file.papertrans.cn/702/701120/701120.mp4
概述Provides the first publication since 1992 on the subject.Presents the first labour lawyers approach to subject.Provides the first full European approach
叢書名稱Law and Visual Jurisprudence
圖書封面Titlebook: On the Artistic Representation of Industrial Disputes in the Shadow of Repression in European Art ; From 1870 to 1914 an Filip Dorssemont B
描述.This book is the first volume on the artistic representation of industrial disputes in European art (from 1870 to 1914) since the catalogue of the landmark exhibition Streik, Realit?t und Mythos, organized by the Deutsches Historisches Museum (1992). It has been written by a group of scholars who share a keen interest in social history and the history of art, as well as in-depth knowledge of industrial relations and collective labour law...Seeking to transcend a purely western European perspective, the book offers unprecedented insights into artistic production in Poland and Hungary from the 19th century to the communist era. It even goes beyond the European continent, examining the United States and Mexico...The media explored include painting, sculpture, the graphic arts and photography. Further, the book deals with artists great (Carlo Carrà, Walter Crane, James Ensor, Juan Gris, K?the Kollwitz, Constantin Meunier,Mihály Munkácsy, Théophile-Alexandre Steinlen and Jan Toorop) and small, sometimes even anonymous. The artistic styles range from (social) realism, naturalism and neo-impressionism to futurism and socialist realism...All stages of industrial disputes (from the causes
出版日期Book 2024
關(guān)鍵詞Strikes; Trade Unions; Political Strikes; History of Art; Social History; Social Realism in Art; Visual Cu
版次1
doihttps://doi.org/10.1007/978-3-031-63634-9
isbn_softcover978-3-031-63636-3
isbn_ebook978-3-031-63634-9Series ISSN 2662-4532 Series E-ISSN 2662-4540
issn_series 2662-4532
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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The Midinette Guiding the People. An Iconographic Break of ,nd the .. Radiguet’s drawings challenge the established iconology of the strike, taking female figures out of the role of the ., and highlighting female figures that combine seductive attitudes with the determination in the movement. In this sense, it’s a renewal of strike practice that is expressed
地板
發(fā)表于 2025-3-22 06:33:51 | 只看該作者
Labour and Art: The Dualism of Backwardness and Timeliness in Hungary and in Its Eastern Neighbourh miserable poverty of rural workers with bitterly critical realism (A.Fényes, J.Vaszary). Factory workers appear on the canvas at the end of the nineteenth century (K.Kernstock) when labour movement becomes noticeable. The historical overview leads to the conclusion that changes in artistic styles a
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發(fā)表于 2025-3-22 11:03:02 | 只看該作者
From 1844 to 1944: Workers and Revolutions in Poland, violence. The second aim is to reflect on the relation between one of the renown The Strike by Stanis?aw Lentz (1910), and The Manifesto by Wojciech Weiss (1950), when the status of workers changed from the group fighting for their rights to the privileged heroes of the new socialistic regime. The
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2662-4532 istic styles range from (social) realism, naturalism and neo-impressionism to futurism and socialist realism...All stages of industrial disputes (from the causes 978-3-031-63636-3978-3-031-63634-9Series ISSN 2662-4532 Series E-ISSN 2662-4540
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On the Artistic Representation of Industrial Disputes in the Shadow of Repression in European Art 978-3-031-63634-9Series ISSN 2662-4532 Series E-ISSN 2662-4540
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發(fā)表于 2025-3-23 08:35:12 | 只看該作者
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