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Titlebook: New Leadership in neuen Organisationsdesigns; Learning Journeys fü Nicole Bischof,Roger Künzli Book 2024 Sch?ffer-Poeschel Verlag für Wirts

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31#
發(fā)表于 2025-3-26 23:50:11 | 只看該作者
32#
發(fā)表于 2025-3-27 03:26:50 | 只看該作者
CSPstars III: Gruppendynamische Ans?tze in der Zusammenarbeit nutzen und steuerngsstory. Trotzdem gibt es noch sehr viele Bereiche, welche verbessert werden müssen. Das war uns von Beginn an klar. Der Plan war es, dass wir Werkzeuge zur Verfügung stellen, welche es erm?glichen, rasch und unkompliziert das System anzupassen. Es kam aber anders. Wir haben eine Maschine mit klar definierten Zahnr?dern gebaut.
33#
發(fā)表于 2025-3-27 08:07:26 | 只看該作者
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發(fā)表于 2025-3-27 13:29:00 | 只看該作者
35#
發(fā)表于 2025-3-27 16:54:59 | 只看該作者
Nicole Bischof,Roger Künzliwn how an audience newly liberated, highly visible, and energized by the Globe’s spatial relations of building, stage and auditorium in the same light, can influence the playing of a scene. At the first preview performance of . this empowerment of the audience and the energizing of the actors were r
36#
發(fā)表于 2025-3-27 19:14:25 | 只看該作者
37#
發(fā)表于 2025-3-27 22:53:18 | 只看該作者
Nicole Bischofnsters are integral to most ancient mythological systems and persist to haunt more modern forms of interpreting the universe in the forms of folklore, fables, metaphors, and less-definable forms that trouble our unconscious, collective and individual. The existence of monsters in mythological networ
38#
發(fā)表于 2025-3-28 02:50:04 | 只看該作者
Nicole Bischofma is ‘unknowable’, as the discourse concurs, then how can live performance encounters stage it? Unpacking the case studies of performance in this volume which occur in contemporary Ireland, the north of Ireland and Britain, it introduces the staging contexts of traumatic histories drawn from person
39#
發(fā)表于 2025-3-28 09:23:39 | 只看該作者
Nicole Bischof this setting. The Raftery home is a broken home and the audience act as witness to intergenerational abuse and despair that is played out in two acts. While the artistic sensibility of Carr’s dramaturgy is most often considered as influenced by Beckettian landscapes, in this play, living appears as
40#
發(fā)表于 2025-3-28 10:45:08 | 只看該作者
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