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Titlebook: New Directions in Music and Human-Computer Interaction; Simon Holland,Tom Mudd,Marcelo M. Wanderley Book 2019 Springer Nature Switzerland

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書(shū)目名稱(chēng)New Directions in Music and Human-Computer Interaction
編輯Simon Holland,Tom Mudd,Marcelo M. Wanderley
視頻videohttp://file.papertrans.cn/666/665109/665109.mp4
概述Identifies the latest directions and developments in music interaction and HCI.Balances original research with reflections from leading researchers and practitioners.Brings together interdisciplinary
叢書(shū)名稱(chēng)Springer Series on Cultural Computing
圖書(shū)封面Titlebook: New Directions in Music and Human-Computer Interaction;  Simon Holland,Tom Mudd,Marcelo M. Wanderley Book 2019 Springer Nature Switzerland
描述.Computing is transforming how we interact with music. New theories and new technologies have emerged that present fresh challenges and novel perspectives for researchers and practitioners in music and human-computer interaction (HCI). In this collection, the interdisciplinary field of music interaction is considered from multiple viewpoints: designers, interaction researchers, performers, composers, audiences, teachers and learners, dancers and gamers.?..The book comprises both original research in music interaction and reflections from leading researchers and practitioners in the field. It explores a breadth of HCI perspectives and methodologies: from universal approaches to situated research within particular cultural and aesthetic contexts. Likewise, it is musically diverse, from experimental to popular, classical to folk, including tango, laptop orchestras, composition and free improvisation..
出版日期Book 2019
關(guān)鍵詞Music Interaction; Embodied Cognition; Physicality; Human Computer Interaction; Motion Computing; Musical
版次1
doihttps://doi.org/10.1007/978-3-319-92069-6
isbn_ebook978-3-319-92069-6Series ISSN 2195-9056 Series E-ISSN 2195-9064
issn_series 2195-9056
copyrightSpringer Nature Switzerland AG 2019
The information of publication is updating

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Book 2019ives for researchers and practitioners in music and human-computer interaction (HCI). In this collection, the interdisciplinary field of music interaction is considered from multiple viewpoints: designers, interaction researchers, performers, composers, audiences, teachers and learners, dancers and
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A Design Workbench for Interactive Music SystemsCI researchers with a better foundation for the design of tools for a class of “extreme” users who are accustomed to devoting decades of practice towards the development of expertise with their instruments. We conclude with a discussion of design guidelines for Interactive Music Systems.
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Book 2019xplores a breadth of HCI perspectives and methodologies: from universal approaches to situated research within particular cultural and aesthetic contexts. Likewise, it is musically diverse, from experimental to popular, classical to folk, including tango, laptop orchestras, composition and free improvisation..
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Understanding Music Interaction, and Why It Matters,ntroductory chapter reviews the relationship between music and human-computer interaction and outlines research themes and issues that emerge from the collected work of researchers and practitioners in this book.
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Material-Oriented Musical Interactionsigital musical instruments, and to human-computer interaction more broadly, reflecting on the relationships between designers and their technologies, and on how the design and development process can be viewed as nested inside its own chain of technological and social influences.
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