Titlebook: New Directions in Music and Human-Computer Interaction; Simon Holland,Tom Mudd,Marcelo M. Wanderley Book 2019 Springer Nature Switzerland

職業(yè)拳擊手

Embodied Musical Interaction. I propose how the three “paradigms” of HCI and three design accounts from the interaction design literature can serve as a lens through which to consider types of music HCI. I use this conceptual framework to discuss three different musical projects—Haptic Wave, Form Follows Sound, and BioMuse.

贊成你

Needlework

Detecting and Adapting to Users’ Cognitive and Affective State to Develop Intelligent Musical Interf technological basis for work of this kind are discussed. Relevant existing work is considered. The design and evaluation of two systems of this kind for musical learning and musical creativity implemented by the authors is presented and critiqued.

不安

Musical Instruments for Novices: Comparing NIME, HCI and Crowdfunding Approaches differences between each of the academic communities. The paper concludes with general reflections on the identity and purpose of instruments for novice musicians, with suggestions for future exploration.

FLAT

Microaneurysm

恩惠

Arboreal

languor

The Poetry of Strange Connections: An Interview with Bill VerplankBill Verplank is an interaction designer educated at Stanford and MIT in Mechanical Engineering (Design and Man-Machine Systems). He did user testing at Xerox (“Star”), interaction design at IDTWO (now IDEO), research at Interval. He has taught design at MIT, Stanford (ME, Music, CS), ACM-SIGCHI, NIME, IDII (Ivrea), CIID (Copenhagen).

Charade

XronoMorph: Investigating Paths Through Rhythmic Spacewould often be hard to create in alternative software applications or with traditional musical notation. In this chapter, I explain the algorithmic principles used to generate the loops and how these principles have been parameterized and visualized to facilitate the exploration of paths within these two rhythmic spaces.