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Titlebook: National Identity in 21st-Century Cuban Cinema; Screening the Repeat Dunja Fehimovi? Book 2018 The Editor(s) (if applicable) and The Author

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發(fā)表于 2025-3-26 21:31:07 | 只看該作者
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發(fā)表于 2025-3-27 03:54:10 | 只看該作者
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發(fā)表于 2025-3-27 07:02:38 | 只看該作者
Conclusion: Shipwrecks and Seasickness,lming of . in Havana, and the fate of the elusive ‘Ley de cine’ (cinema law), it notes the dual threats of entropy and dissolution faced by contemporary Cuba. Nevertheless, it shows that Cuban cinema’s creative quest for self continues.
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發(fā)表于 2025-3-27 11:30:54 | 只看該作者
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發(fā)表于 2025-3-27 16:13:57 | 只看該作者
Introduction: Screening the Repeating Island,and political crisis known as the Special Period in Times of Peace. It thus outlines the overarching thesis of the book: 21st-century Cuban cinema attests to the continued relevance of national identity understood not as an essence but as an anxious dynamic of differential repetition.
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發(fā)表于 2025-3-27 17:48:48 | 只看該作者
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發(fā)表于 2025-3-28 00:55:17 | 只看該作者
Book 1994. The causative agent is the spirochaete Borrelia burgdorferi, which is usually transmitted by the ixodid tick from animal reservoirs. This book is formed by contributions from the Second European Symposium on Lyme Borreliosis, held at St George‘s Hospital Medical School, London in 1993, which revie
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