Titlebook: National Identity in 21st-Century Cuban Cinema; Screening the Repeat Dunja Fehimovi? Book 2018 The Editor(s) (if applicable) and The Author

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A Cuban Zombie Nation?: Monsters in Havana, Figures of the undead that trouble distinctions between presence and absence, zombies and vampires are also transnational cultural icons that are reanimated in a way that comments on Cuba’s particular relationship with consumption, production, capitalism, and survival. Paying attention to space, hu

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,Time ‘Out of Joint’: Icons, Images, and Archives,period piece or ‘biopic’, . (2010), which attempts to humanise the iconic independence fighter by presenting him as a child, and Jorge Perugorría’s . (2012), which adopts a more ironic, postmodern perspective on the personal and national pasts. Calling on Barthes, Lacan, and Derrida’s and ideas abou

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Dunja Fehimovi?dentity.Draws on the experiences of 50 high school teachers This book presents a radical reconceptualization of subject-focused and research-led teacher professional development. Drawing on the experiences of more than 50 high school teachers and technicians who participated in science-based researc

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Dunja Fehimovi?volume aims to redress. Paradigmatic notions of science education, with their focus on biologically governed development and age-specific accession to scientific concepts, have perpetuated this state of affairs. This book offers a very different perspective, however. It has its roots in the work of

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Dunja Fehimovi?volume aims to redress. Paradigmatic notions of science education, with their focus on biologically governed development and age-specific accession to scientific concepts, have perpetuated this state of affairs. This book offers a very different perspective, however. It has its roots in the work of