Titlebook: Masculinity, Intersectionality and Identity; Why Boys (Don’t) Dan Doug Risner,Beccy Watson Book 2022 The Editor(s) (if applicable) and The

Highbrow

Needlework

Book 2022of intersectionality, the book’s content examines why, despite burgeoning popular and contemporary representations of a normalization of dancing masculinities, some boys don’t dance and why many of those who do struggle to stay involved. Prominent themes of identity, masculinity, and intersectionali

FLAT

責(zé)問

Listening to Why Boys (Don’t) Dance: Creating Inclusive Dance Experiences for Boysding the use of “emojis” with primary-aged boys in two English primary schools. Visual and verbal data give insight into mixed feelings about boys’ dance experiences, demonstrating desired ownership over the content and increased social connectedness through collaborative activities.

恩惠

Compatriot

Arboreal

Charade

Marketing Dance to Boys and Men: New, Complex and Dynamic Practices of Masculinities dancer.” Ultimately, these marketing strategies deploy various blends of old and new masculinities which consistently seek to safeguard dancers’ masculinities. The chapter raises concerns that this marketing approach is limited and short-sighted.

Fantasy

去掉

Black Bodies Dancing Defiance: Deez Nuts!cing also potentiates the forging of new gender performances in which they find agency. The chapter contributes to critical dance scholarship via its innovative ways of detailing the social script of complex Black masculine identities.