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Titlebook: Masculinity, Intersectionality and Identity; Why Boys (Don’t) Dan Doug Risner,Beccy Watson Book 2022 The Editor(s) (if applicable) and The

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發(fā)表于 2025-3-21 16:05:30 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱Masculinity, Intersectionality and Identity
副標(biāo)題Why Boys (Don’t) Dan
編輯Doug Risner,Beccy Watson
視頻videohttp://file.papertrans.cn/626/625188/625188.mp4
概述Analyzes how gender intersects with race, class, sexuality, ability, and the arts..Offers a critical perspective as to why dance can be a powerful medium that can uproot binary gender codes.Provides a
圖書(shū)封面Titlebook: Masculinity, Intersectionality and Identity; Why Boys (Don’t) Dan Doug Risner,Beccy Watson Book 2022 The Editor(s) (if applicable) and The
描述.This unparalleled collection, international and innovative in scope, analyzes the dynamic tensions between masculinity and dance. Introducing a lens of intersectionality, the book’s content examines why, despite burgeoning popular and contemporary representations of a normalization of dancing masculinities, some boys don’t dance and why many of those who do struggle to stay involved. Prominent themes of identity, masculinity, and intersectionality weave throughout the book’s conceptual frameworks of education and schooling, cultures, and identities in dance. Incorporating empirical studies, qualitative inquiry, and reflexive accounts, Doug Risner and Beccy Watson have assembled a unique volume of original chapters from established scholars and emerging voices to inform the future direction of interdisciplinary dance scholarship and dance education research. The book’s scope spans several related disciplines including gender studies, queer studies, cultural studies, performance studies, and sociology. The volume will appeal to dancers, educators, researchers, scholars, students, parents, and caregivers of boys who dance. Accessible at multiple levels, the content is relevant for un
出版日期Book 2022
關(guān)鍵詞dance education; hypermasculinity; critical masculinity studies; male dancers; heteronormativity
版次1
doihttps://doi.org/10.1007/978-3-030-90000-7
isbn_softcover978-3-030-90002-1
isbn_ebook978-3-030-90000-7
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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發(fā)表于 2025-3-21 20:40:35 | 只看該作者
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發(fā)表于 2025-3-22 02:06:29 | 只看該作者
https://doi.org/10.1007/978-3-030-90000-7dance education; hypermasculinity; critical masculinity studies; male dancers; heteronormativity
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發(fā)表于 2025-3-22 08:05:53 | 只看該作者
978-3-030-90002-1The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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發(fā)表于 2025-3-22 18:08:49 | 只看該作者
Dancing Boys and Men: Negotiating Masculinity and Sexuality, and masculinities have been erased. The chapter argues that wider systems of inequality, oppression, and power persist. These continue to affect boys and young men, influencing their choices and the possibilities to transgress gender norms.
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發(fā)表于 2025-3-23 03:15:13 | 只看該作者
Pink Feathers in the Ballet Closet: Three Gay Remakes of Swan Lakeow these three artists have choreographed their emergence from the ballet closet, to understand some of the wider, contemporary questions around gay desire, masculinity, and shame, both within classical ballet and in the wider context of identity politics.
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