Titlebook: Literary Materialisms; Mathias Nilges (associate professor of English and Book 2013 Mathias Nilges and Emilio Sauri 2013 America.Close rea

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Creativity, Character, and the Making of the American Middle Classpoliceman charged with keeping Ransom away from the ingénue Verena Tarrant, a highly effective public speaker for the women’s movement scheduled to give an important speech. Although the officer refuses Ransom’s request to meet with her, the two men’s being at cross-purposes does not stop them from

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The Ends of Culture; or, Late Modernism, Reduxry and dealing with a range of different media: Theodor Adorno’s World War II–era interventions, . (1951) and . (1947), the latter coauthored with Max Horkheimer; Rem Koolhaas’ . (1978); Serge Guilbaut’s . (1983); Michael Denning’s . (1996); and the Tim Robbins directed film . (1999). What unifies t

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Introductionth the need to account for their relevance in the face of related crises (including economic crises resulting in a transformation and weakening of funding structures for the academic humanities), we might be tempted to conclude that attaching literary criticism’s project to the general doomsday indu

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Literature, Immanent Critique, and the Problem of Standpointstructuralism to Marxism and psychoanalysis—are explicated one by one. Of course, students, especially those looking for academic work, need to know these things, but the intellectual result of presenting critical or “l(fā)iterary” theory as, say, all that fits between the covers of the . is, whatever e

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How to Subsume Difference, or World Reduction in Delanyy-logic in an Adornian sense of the term, smothering fragile urban queer worlds, smothering difference as concrete particularity.. Delany is well known as a thinker of difference, perhaps especially in the Nevèr?on series in which . (hereafter .) appears. And a certain fetishizing of difference is,

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Book 2013Literary Materialisms addresses what has become a fundamental concern in the last decade: how do we today define literary studies as an academic discipline and literature as a relevant object of study? Avoiding unproductive proclamations, this volume unites new materialist critical thinking with a commitment to fundamental principles.