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Titlebook: Listen Daughter; The Constant J. Mews Book 2001 Palgrave Macmillan, a division of Nature America Inc. 2001 England.fiction.France.growth.h

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發(fā)表于 2025-3-21 17:29:19 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Listen Daughter
副標(biāo)題The
編輯Constant J. Mews
視頻videohttp://file.papertrans.cn/588/587021/587021.mp4
叢書名稱The New Middle Ages
圖書封面Titlebook: Listen Daughter; The  Constant J. Mews Book 2001 Palgrave Macmillan, a division of Nature America Inc. 2001 England.fiction.France.growth.h
描述The words ‘Listen daughter‘ (Audi filia, from Psalm 44 in the Latin Vulgate) were frequently used in exhortations to religious women in the twelfth century. This was a period of dramatic growth in the involvement of women in various forms of religious life. While Hildegard of Bingen (1098-1179) has become widely known in recent years as one of the most eloquent and original voices of the period, she is often seen as a figure in isolation from her context. She lived at a time of much questioning of traditional models of religious life, by women as well as by men. This volume introduces readers to a range of strategies provoked by the growth in women‘s participation in religious life in one form or another, as well as to male responses to this development. In particular, it looks at the ‘Mirror for Virgins‘ (Speculum Virginum), an illustrated dialogue between a nun and her spiritual mentor written by a monk not long before Hildegard started to record her visions. While this treatise engages in dialogue with a fictional virgin, other writings present women (not just Hildegard) as teaching both women and men. An appendix will provide the first English translation of significant excerpt
出版日期Book 2001
關(guān)鍵詞England; fiction; France; growth; history; manuscripts; Middle Ages; society; women
版次1
doihttps://doi.org/10.1007/978-1-137-07943-5
isbn_softcover978-1-349-63327-2
isbn_ebook978-1-137-07943-5Series ISSN 2945-5936 Series E-ISSN 2945-5944
issn_series 2945-5936
copyrightPalgrave Macmillan, a division of Nature America Inc. 2001
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 22:03:47 | 只看該作者
The , and Traditions of Medieval Dialogue,ended dialogue between a spiritual guide and his female disciple. Seen in this light, the . emerges as a work of great creative originality that applies the questioning technique of scholastic literature to discussing the religious life for women in an unusually vivid way.
板凳
發(fā)表于 2025-3-22 01:31:44 | 只看該作者
Introduction,over.Yet these words can also be heard as a “wake-up call,” urging rejection of worldly security and attentiveness to the voice of the Beloved. This is the way they were understood within a medieval religious environment.
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,“Listen, Daughters of Light”: The , and Musical Innovation in Twelfth-Century Germany, well as in the preface to the Cistercian antiphonary (ca. 1147). The songs illustrate a tendency, defended by Anselm of Havelberg in the mid-twelfth century, for religious communities to develop “new ways of psalmody” so as to better express their own liturgical identity.
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發(fā)表于 2025-3-23 00:55:56 | 只看該作者
The Literature of Spiritual Formation for Women in France and England, 1080 to 1180,lel here with the ., although no composition comparable in scale ever circulated in England or France during the twelfth century. There are certainly major differences between the imagery employed for writings addressed to women and imagery directed to men. The underlying spiritual principles, however, were the same.
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Virginity, Theology, and Pedagogy in the ,relationship between flesh and spirit within the religious life. It provides a theology of the religious life for women that would be very influential in the Latin West until the eve of the Reformation.
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